

The BRM Project 2023 was a research and intercultural performance initiative conducted by Dr. Kanta Kochhar-Lindgren in Kerala, India. In this multidisciplinary project, I had the opportunity to engage in various roles and activities such as scenography research, design, branding, and management activities.

Objectological Dreaming is an experimental personal art project where my interaction with the object world that we have camouflaged our lives into, reflects my thoughts and feelings on the human psyche, universe, and forces of life like religion, sexuality, power, will, truth and consciousness. Through photographic digital collage art, I followed an intuitive process of embracing randomness and weaving things together to build stories that housed those reflections.

Revival Iconography (I) is an ongoing series of pattern art developed from elements found in the cultural landscape of Kerala. Taking its stylistic inspiration from Indian pattern art and murals, this series intends to revive otherwise understated cultural icons. By creating new graphic iconographies along with retelling stories of the local context, it is an attempt to build place- based visual culture.

Find Your Way is a fashion photography project based on the theme utility from futility. The garment is crafted from dead stock fabrics. Inspired from the garment design, I worked out the scenography of this project through set design and styling.

Ecstasy is an exploratory musical poetry film that explores the feeling of ‘ecstacy’ in the human world. It is inspired and developed from my travel documentations since 2018.

How Does White Even Exist? Is an experimental film that examines the nature of reality and the human drive to find meaning. It is my solo personal project currently under production.

Architecture 17/22 is a documentational showcase of studio projects I had worked on during my graduate studies. They are curated to convey an architectural thinking beyond the act of constructing buildings and to express my architectural philosophy. Architectural education has in many ways served as a strong foundation for me in developing an evolving perspective on the world, its structure, and its design.

title: 'city of phlegm' (2025)
medium: digital artwork

commissioned drawing (2024) - Speculative Devices for a deaf Sound Arts;
(Concept: Kanta Kochhar-Lindgren; Artist Rendering: Pournami Chandra)

untitled (2022)
medium: watercolor on paper

title: forgetting myself (2024)
medium: charcoal and pastels on paper






